There’s a common narrative pattern in which a protagonist is saddled with some differentiating characteristic – big ears for example, or scissors for hands, or flatulence.
At first said characteristic causes the protagonist to be shunned by their peers, but in a different context it turns out to be an advantage, enabling them to overcome a seemingly impossible challenge and win the respect and adulation they deserve.
Recently I’ve been thinking about the coming age of digital storytelling, of e-books and mobile apps. And I’ve been wondering about the authoring tools that might be required for easy and ubiquitous content creation, whether purely digital or crossing over into print.
Based on my experiences putting together the cards and mobile web pages for 1794: A Small Story it seems the would-be e-book author needs some kind of easy templating system, adapted to page or screen…
… then an outliner to sketch out the flow of their book…
Continue reading We got everything we need right here
In the spirit of Chris Heathcote’s excellent abstract pointillist powerpoint toolkit, I spent a couple of happy hours putting together 20 slides about Leeds, its industrial heritage and why I find it so inspiring.
I was too late to submit to this week’s Ignite UK North event (but thanks, Imran, for the kind tweet in any case), so I’m sharing the slides here. Some are more abstract than others. Can you guess what each one is meant to be?
View on Slideshare
Update: I presenting on this topic at GeekUp Leeds on Wednesday 18 February under the title The history of Leeds: What every geek should know.
Chris Heathcote’s abstract pointillist Powerpoint toolkit once again reinforces the received wisdom that Microsoft’s near-ubiquitous presentation software presages the end of civilisation.
Unlike the army of total Powerpoint rejecters, Chris’ solution is to fight pixel with pixel, subject to three strictures:
POINT ONE: Presentations are about IDEAS, not TEXT.
POINT TWO: READING from SLIDES is a heinous crime.
POINT THREE: PEOPLE cannot COPE without some kind of visual STIMULATION.
I love the abstract toolkit and hope one day to try this parlour-game in a work context (but not, I promise, at the forthcoming Mobile Internet Portal Strategies conference for which I’m preparing this week.)
However, it set me wondering: if Powerpoint sucks so badly, how come so many people use it? And how come they use it the way they do – densely textual, reading from slides, as a substitute for eye-contact between presenter and audience? It’s not like Steve Ballmer has issued a decree forcing people to do it this way – in fact it’s the reverse: our sucky cut-and-paste Powerpoint culture is the ultimate product of co-creation.
So rather (or at least as well as) decrying rubbish slideware, how about we spend some time trying to understand the deep needs that drive people to it in the first place, and how they might be met better some other way. I don’t have all the answers, but here at least are a few of the forces at work:
- You need cue cards – but the 80GSM A4 stock in printers doesn’t cut it. In the old days speakers had palm-sized index cards with hand-written notes, but (a) you won’t find them in the office stationary cupboard any more (I know, I checked), and (b) have you tried to read my hand-writing? I went to school in the Seventies, you know. Result: the cue cards are no longer in the speaker’s hand, they’re up for everyone to see on the big screen.
- Your audience speaks a different language – when presenting to people who don’t share the same first language, sending the slides round beforehand isn’t just an administrative nicety, it’s a necessity so that they can make sense of proceedings at their own pace. Powerpoint is to business what subtitles are to art-house cinema.
- Your audience is only paying partial attention – gone are the days when the whole family would gather round to listen to a Malcolm Muggeridge lecture on the wireless. These days you’re lucky if anyone peeks up from their laptops and Blackberrys long enough to read a few bullet points, let alone actually listen to a complete sentence, with sub-clauses and everything.
- Your audience is somewhere else entirely – and in this respect i’n’t the internet brilliant! Chris Heathcote’s modern-day ink-blot test has had almost 4000 views on Slideshare in just four days, so my bet is that more often than not, the presentation document does have to speak for itself. Who then could resist the temptation to reiterate in the slide text every major point they plan to make in person?
In new product development, we often look for “workarounds” – the sub-optimal things that people do as a way of achieving their goals, then we think about how we might help them achieve these goals more elegantly, with less effort. Where are the innovations that meet the subtle communications needs of the Powerpoint-challenged? They must be out there somewhere, but they probably don’t look like presentation software at all.