There’s a common narrative pattern in which a protagonist is saddled with some differentiating characteristic – big ears for example, or scissors for hands, or flatulence.
At first said characteristic causes the protagonist to be shunned by their peers, but in a different context it turns out to be an advantage, enabling them to overcome a seemingly impossible challenge and win the respect and adulation they deserve.
Recently I’ve been thinking about the coming age of digital storytelling, of e-books and mobile apps. And I’ve been wondering about the authoring tools that might be required for easy and ubiquitous content creation, whether purely digital or crossing over into print.
Based on my experiences putting together the cards and mobile web pages for 1794: A Small Story it seems the would-be e-book author needs some kind of easy templating system, adapted to page or screen…
… then an outliner to sketch out the flow of their book…
Late last year I made a small prototype based on my Ignite London talk, 1794, by printing the 20 slides as Moo cards, with associated pages on this blog.
Now there’s a new version, using cards, stickers and an A3 sheet for you to play with the story. It’s backed up with a new set of web pages at 1794story.wordpress.com.
It’s an unashamedly personal, partial and unfinished history, an experiment in stripping the book down to its barest essentials then adding some of the flexibility and remixability of the web. I’ve written more of the “why” of the project in the about page.
Also, I’m looking for a few people to play with the story. “Beta test” would be an overstatement, but I am interested in honest feedback. There is no right way to read this story, only what you do with it. Let me know if you’re interested.
It’s a pleasure to see – at risk of sounding like a Key Stage One Literacy Coordinator – that reading is hot right now.
Into this maelstrom come the Mag+ concepts from BERG for Bonnier. If you haven’t seen the video you should watch it now. Beyond the thoughtful work on the interaction within the user interface, I like the thinking about “how the device might occupy the world.”
And separately, Christian Lindholm has some interesting ideas about linearity as a low-involvement user experience, perfectly suited to mobile.
Everyone’s talking about how it feels to be the reader – how he or she will be empowered to enjoy the best aspects of printed and digital media rolled into one wafer-thin device. It’s all very user-centred.
But I think to succeed eReaders must not only meet the needs of the direct user, but also of those around them, the friends and family who may not welcome their loved one’s absorption in this exciting new media. They are the “next largest context” within which the new device must win acceptance.
Be it known that at some point in the near future I plan to bloviate on the concept of the prospectus and its coming revival in new and unexpected transmedia formats. Consider this a prospectus. I’m so meta.
The Ignite London challenge of telling the story of my 1794 heroes in five minutes and 20 slides set me thinking about other ways to package up a narrative in the most minimal way.
In parallel with preparing my talk, I used the slides as the starting point for some printed material. My experimental recipe is as follows:
First, catch your story. The idea of 1794 as a focal point struck me while reading, for different reasons, about Joseph Priestley, Camille Desmoulins, John Thelwall and Matthew Murray. Desmoulins led me to the war in France, and Jean-Marie-Joseph Coutelle and Claude Chappe. Antoine Lavoisier formed a further link between Priestley and Coutelle. Soon I had a map spelling out the connections.
Excite the attentions of the ingenious.TM I’d been wondering how to break the all-male line-up of heroes when I saw this tweet:
Turns out Roberta Wedge has been engaging on Twitter on behalf of the mother of feminism for several months now. Thanks to her intervention, Mary Wollstonecraft was in. Continue reading
It was a delight to welcome the writer Steven Johnson to Leeds last week and to hear first person some of the themes in his book, the Invention of Air. We were, I think, doubly fortunate to hear Steven just a day after his appearance alongside Brian Eno at the ICA. It’s worth listening to the audio from the event, right to the questions at the end, where the pair responded to Matt Jones’ challenge: how would you write a minimum book?
It chimed with some stuff I’ve been wondering about lately, such as how the emergence of the web on devices smaller than a paperback could change the medium of the book itself. It certainly seems as if the publishing industry could be about to go through the kind of transformation that has beset the music business in the past decade.
And just as some of the greatest beneficiaries of the music revolution were the unsigned “long tail” artists, so I think the place to look first might be in the world of self-published, small books, pamphlets, chapbooks, and the like. These seem in a way to be more suited to the new mobile media than the big set-piece hardbacks like Johnson’s inestimable canon.
Ivor Cutler’s unique works apart, the foremost examples of the art must be the 16-page pocket books published by the late JL Carr under the Quince Tree Press imprint.
If you saw my talks earlier this year at Leeds’ GeekUp or Barcamp, you may recall I recommended reading Steven Johnson’s “The Invention of Air” which tells the tale of pioneering scientist, theologian and political radical Joseph Priestley.
“The Invention of Air” reveals, more than I’d previously appreciated, just how important were Priestley’s experiments during his time as minister at the Mill Hill Chapel, Leeds, so when I heard Steven was coming to the UK in November, around the time of the book’s publication in paperback, it seemed too good an opportunity to miss.
A couple of cheeky tweets later, I’m delighted to report that the author, the good people at NTI Leeds and Penguin Books obliged: Steven will be talking about Priestley, oxygen, and other interesting stuff, at Leeds Met Rose Bowl on Tuesday 3 November, starting at 6pm. For more details and to register your attendance, see the NTI website.
Whether you’re interested in the history of science, the history of Leeds, or even if you just occasionally breathe air, I hope you’ll come along.